Pesaro Urbino: Touristic information

Pesaro Urbino
Touristic information about the city, the provinces and localities

Pesaro
Urbino
Localities in the province

Pesaro

Pesaro is a town and comune in the Italian region of the Marche, capital of the Pesaro e Urbino province, on the Adriatic. According to the 2007 census, its population was 92,206.
Fishery, furniture industry and tourism are the main strengths of the local economy.

History
The city was founded as Pisaurum by the Romans in 184 BC as colony in the territory of the Piceni, the people who lived in the Marche during the Iron Age. A settlement of the latter tribe, one of their most ancient, has been found at Novilara. The northern Piceni were invaded in the 4th century BC by the Senones Gauls, and when the Romans reached the area the population was a mix of the two races.
Under the Roman administration Pesaro, a hub across the Via Flaminia, became an important center of trading and craftmanship. After the fall of the Western Empire, Pesaro was occupied by the Ostrogoths, and destroyed by Vitigis (539) in the course of the Gothic War. Hastily rebuilt five years later after the Byzantine reconquets, it formed the so-called Pentapolis, part of the Exarchate of Ravenna. After the Lombard and Frank conquests of that city, Pesaro became part of the Papal States.
During Renaissance it was ruled by the Malatesta (1285-1445), Sforza (1445-1512) and Della Rovere (1513-1631). Under the latter family, who elected it as capital of their duchy, Pesaro lived its most flourishing age, with the construction of numerous public and private palaces, while a new line of walls (the Mura Roveresche) was erected.
On December 11, 1860 the Piedmontese troops entered the city, and Pesaro was subsequently annexed to the new Kingdom of Italy.

Main sights
The Ducal Palace, constructed by Alessandro Sforza in the second half of the 15th century. The façade has a portico with six arcades supported by six heavy pilasters and an upper floor with five windows crowned by coats of arms, festoons and puttoes.
The Romanesque Cathedral Basilica, built in the 5th century over remains of a late Roman edifice and dedicated to St. Terence during the Middle Ages. The façade, in Romanesque-Gothic style, is unfinished: it has a simple ogival portal surmounted by a band of small archs. A recent restoration has brought to light a precious set of floor mosaics.
The Baroque Sanctuary of Beata Vergine del Carmelo (18th century).
St. Augustine, with a splendid Gothic portal.
The massive Rocca Costanza (Castle), built in the 15th century by Costanzo Sforza, once used as prison. It has a square plan with four cylindrical towers and a wide ditch.
The birthplace of Gioacchino Rossini located at 34 Via Rossini. It has a museum dedicated to the composer, with manifestoes, prints, portraits and his spinetta.
The 15-16th century Imperial Villa (Villa Imp
eriale) stands atop the San Bartolo hill. Its room are decorated by renowned artists, including Bronzino, Francesco Menzocchi, Girolamo Genga, and Raffaellino del Colle. Of the 17th century Mura Roveresche ("Della Rovere Walls", demolished in the early 20th century), only two gates, Porta del Ponte, Porta Rimini and a short section remain.
The Town Museum houses the noteworthy Pesaro Altarpiece by Giambellino. The Oliveriani Museum is home to several interesting archaeological findings.

Urbino

Urbino is a walled city in the Marche region in Italy, south-west of Pesaro, a World Heritage Site notable for a remarkable historical legacy of independent Renaissance culture, especially under the patronage of Federico da Montefeltro, duke of Urbino from 1444 to 1482. The town, nestled on a high sloping hillside, retains much of its picturesque medieval aspect, only slightly marred by the large car parks below the town. It hosts the University of Urbino, founded in 1506, and is the seat of the Archbishop of Urbino (see below). Its best-known architectural piece is the Palazzo Ducale, rebuilt by Luciano Laurana.

History
The modest Roman town of Urvinum Mataurense ("the little city on the river Mataurus") became an important strategic stronghold in the Gothic wars of the 6th century, captured in 538 from the Goths by the champion of the Emperor of the East, Belisarius, and frequently mentioned by the Byzantine historian Procopius. Though Pippin presented Urbino to the Papacy, independent traditions were expressed in its commune, until, around 1200 it came into the possession of the fighting nobles of nearby Montefeltro. Although these noblemen had no direct authority over the commune, they could pressure it to elect them to the position of podestà (potestas, "power"), a title that Bonconte di Montefeltro managed to obtain in 1213, with the result that the "urbinati" rebelled and formed an alliance with the independent commune of Rimini (1228), finally regaining control of the town in 1234. Eventually, though, the Motefeltro noblemen took control once more, and held it until 1508. In the struggles between the Guelphs and Ghibellines (factions supporting, respectively, the Papacy and the Holy Roman Empire), associated with individual families and cities, rather than the struggle between Hohenstaufen emperors and the Papacy as they had been, the 13th and 14th century Montefeltro lords of Urbino were leaders of the Ghibellines of the Marche and in the Romagna region.
The most famous member of the Montefeltro was Federico, lord (duca) of Urbino from 1444 to 1482, a very successful condottiere, a skillful diplomat and an enthusiastic patron of art and literature. At his court, Piero della Francesca wrote on the science of perspective, Francesco di Giorgio Martini wrote his Trattato di architettura ("Treatise on Architecture") and Raphael's father, Giovanni Santi, wrote his poetical account of the chief artists of his time. Federico's brilliant court, according to the descriptions in Baldassare Castiglione's Il Cortegiano ("The Book of the Courtier"), set standards of what was to characterize a modern European "gentleman" for centuries to come. (See Federico da Montefeltro for full biography.)

In 1502, Cesare Borgia, with the connivance of his Papal father, Alexander VI, dispossessed Guidobaldo da Montefeltre, duke of Urbino, and Elisabetta Gonzaga. They returned in 1503, after Alexander had died. After the Medici pope Leo X's brief attempt to establish a young Medici as duke, thwarted by the early death of Lorenzo II de' Medici in 1519, Urbino was ruled by the dynasty of Della Rovere dukes (see also War of Urbino).
In 1626, Pope Urban VIII definitively incorporated the Duchy into the papal dominions, the gift of the last Della Rovere duke, in retirement after the assassination of his heir, to be governed by the archbishop. Its great library was removed to Rome and added to the Vatican Library in 1657. The later history of Urbino is part of the history of the Papal States and, after 1861, of the Kingdom (later Republic) of Italy.

Main sights


Palaces and public edifices
The main attraction of Urbino is the Palazzo Ducale, begun in the second half of the 15th century by Federico II da Montefeltro. It houses the Galleria Nazionale delle Marche, one of the most important collections of Renaissance paintings in the world. Other interesting buildngs include Palazzo Albani (17th century), Palazzo Odasi and Palazzo Passionei. The Albornoz Fortress (known locally as La Fortezza), built by the eponymous Papal legate in the 14th century[2]. In 1507-1511, when the Della Rovere added a new series of walls to the city, the rock was enclosed in them. It is now a public park. Raphael's house and monument (1897).

Churches
The Duomo (cathedral) is a church founded in 1021 over a 6th century religious edifice. The 12th century plan was turned 90 degrees from the current one, which is a new construction also started by Federico II and commissioned to Francesco di Giorgio Martini, author of the Ducal Palace. Finished only in 1604, the Duomo had a simple plan with a nave and two aisles, and was destroyed by an earthquake in 1789. The church was again rebuilt by the Roman architect Giuseppe Valadier, the works lasting until 1801. The new church has a typical neo-classicist appearance, with a majestic dome. It houses a San Sebastian from 1557, an Assumption by Carlo Maratta (1701) and the famous Last Supper by Federico Barocci (1603-1608). The church of San Giovanni Battista, with frescoes by Lorenzo Salimbeni da Sanseverino Sant'Agostino, built in Romanesque style in the 13th century, but largely modified in the following centuries. The façade has a late-14th century almond portal in Gothic-Romanesuqe style, while the interior is greatly decorated. It houses a precious carved choir from the 6th century, manufactured for the marriage of Costanzo Sforza and Camilla of Aragona. The bell tower is from the 15th century. San Francesco (14th century), originally a Gothic-Romanesque edifice of which an 18th century restoration has left only the portico and the bell tower. The interior has a nave and two aisles, and houses the Pardon of St. Francis, a 15th century work by Barocci. The Oratory of San Giuseppe (early 16th century), composed of two chapels: one of which contains a 16th century presepio or Nativity scene by Federico Brandani, the stucco figures are lifesize and highly naturalistic. Outside the city is the Church of San Bernardino, housing the tombs of the Dukes of Urbino.

Same informations in this page for Pesaro Urbino are based on the site www.wikipedia.org respecting the GNU Free Documentation License.

Pesaro Urbino: other to visit

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Riviera Romagnola